Runaway Pen Productions
Independent Digital Filmmaking Where Story Comes First
Saturday, September 27, 2008
Silk Trees Trailer Released
For the past couple of weeks, Mikel J. Wisler has been working in close conjunction with director Jedidiah Burdick. Wisler has been editing the trailer for the feature film, Silk Trees, directed by Burdick. For Wisler, who also served as the film's 1st Assistant Director, this marks the first time he has cut a trailer for a film directed by someone else. "It's been a great experience," he says. "I hope to get to do this for more films. I really enjoy cutting trailers."
The Silk Trees trailer is currently being rolled out on the web. You can see it bellow.
Visit the Silk Trees website: http://silktreesthemovie.com
For the past couple of weeks, Mikel J. Wisler has been working in close conjunction with director Jedidiah Burdick. Wisler has been editing the trailer for the feature film, Silk Trees, directed by Burdick. For Wisler, who also served as the film's 1st Assistant Director, this marks the first time he has cut a trailer for a film directed by someone else. "It's been a great experience," he says. "I hope to get to do this for more films. I really enjoy cutting trailers."
The Silk Trees trailer is currently being rolled out on the web. You can see it bellow.
Visit the Silk Trees website: http://silktreesthemovie.com
Friday, September 26, 2008
Wisler Networks with New England Filmmakers
On Saturday, September 20th, Mikel J. Wisler attended a New England Filmmakers networking event. He had the opportunity to meet with writer, producers, directors, and actors from the Boston area.
For more information about the New England Filmmaker's networking event and more pictures, go to: www.filmmakersshindig.com
On Saturday, September 20th, Mikel J. Wisler attended a New England Filmmakers networking event. He had the opportunity to meet with writer, producers, directors, and actors from the Boston area.
For more information about the New England Filmmaker's networking event and more pictures, go to: www.filmmakersshindig.com
Friday, September 5th, 2008
A New Direction
On August 26th, Runaway Pen Productions co-owner and filmmaker Mikel J. Wisler moved to the Boston area. This move represents a new direction for the production company, which Wisler co-owns with Andrew Gilbert. Runaway Pen has focused on producing short films and professional video content for hire over the past three years.
“It’s just an expansion really,” says Wisler. “It was bound to happen. In fact, if it didn’t happen, I’d be really sad.” Wisler explains the move to Boston has to do with the need to develop the next step in his and Gilbert’s filmmaking careers. Wisler will continue freelance work in video and film production in the Boston area as well. “It’s a win-win,” he says, “A place like Boston has a greater market for freelancers like myself and New England has such a happening film scene. I’ve barely arrived and I’m already planning on catching a few showings at the Boston Film Festival next weekend.”
“I'm excited that we can spread Runaway Pen out into different states,” says Andrew Gilbert. “While we were both here [in Indiana], it limited our efficiency of finding film funding. While we are now in two cities we can attract investors on two fronts. Expanding into Boston is a great way to keep our hometown ties while being near a more professional film base.”
This is all about the next step, according to Wisler. “I don’t know what’s happening next exactly, but most likely, I’m done making short films for a while. Maybe ever. It’s time to get ambitious and seek out the means to make that first feature film.”
Between Gilbert and Wisler, Runaway Pen has several feature length screenplays already written, some which have even undergone serious revisions and polishing. From this crop of scripts, these two filmmakers hope to attract potential investors in order to begin the process of producing their first feature film.
“There’s one script in particular we are really polishing and hoping to get off the ground,” Wisler explains. “It’s quite exciting and daunting all at once. It’s a script that from a producer’s perspective is definitely within the real of possibility even on a very small budget. But, it’s a challenging subject, a strong character drama, and it’s going to really stand or fall based on the performances of the actors. I want to do it right, so I’m not interested in doing it with pocket change that could hardly fund a good short, let alone a feature. So that’s where funding comes in. And that’s so much of what I’m going to be spending my efforts on over the next couple of years.”
Meanwhile, Gilbert explains that, “Here in Indiana, I will be focusing on writing and making contacts on the west coast. Currently, I am revising two feature length screenplays and creating another spec script for television.” He and Wisler will continue collaboration on revisions for the feature script they have co-authored and will develop plans for funding and production.
This move has also coincided with the completion of Runaway Pen’s newest short film, “Always Reaching.” That film, along with “Cold October,” is currently being submitted to film festivals. “Festivals are an important part of what we’re doing,” says Wisler. “We need to get our films out there, in front of audiences, in front of other filmmakers, we’ve got to impress the right people. That’s easier said than done, though.”
If you are part of Facebook, you can join a fan group for “Cold October.” At some point in the future a group will likely be created for “Always Reaching” as well. Joining such a group will also help fans of Runaway Pen keep up to date on what’s taking place with the filmmakers and where they might be able to catch a screening of such films at a festivals or event.
On August 26th, Runaway Pen Productions co-owner and filmmaker Mikel J. Wisler moved to the Boston area. This move represents a new direction for the production company, which Wisler co-owns with Andrew Gilbert. Runaway Pen has focused on producing short films and professional video content for hire over the past three years.
“It’s just an expansion really,” says Wisler. “It was bound to happen. In fact, if it didn’t happen, I’d be really sad.” Wisler explains the move to Boston has to do with the need to develop the next step in his and Gilbert’s filmmaking careers. Wisler will continue freelance work in video and film production in the Boston area as well. “It’s a win-win,” he says, “A place like Boston has a greater market for freelancers like myself and New England has such a happening film scene. I’ve barely arrived and I’m already planning on catching a few showings at the Boston Film Festival next weekend.”
“I'm excited that we can spread Runaway Pen out into different states,” says Andrew Gilbert. “While we were both here [in Indiana], it limited our efficiency of finding film funding. While we are now in two cities we can attract investors on two fronts. Expanding into Boston is a great way to keep our hometown ties while being near a more professional film base.”
This is all about the next step, according to Wisler. “I don’t know what’s happening next exactly, but most likely, I’m done making short films for a while. Maybe ever. It’s time to get ambitious and seek out the means to make that first feature film.”
Between Gilbert and Wisler, Runaway Pen has several feature length screenplays already written, some which have even undergone serious revisions and polishing. From this crop of scripts, these two filmmakers hope to attract potential investors in order to begin the process of producing their first feature film.
“There’s one script in particular we are really polishing and hoping to get off the ground,” Wisler explains. “It’s quite exciting and daunting all at once. It’s a script that from a producer’s perspective is definitely within the real of possibility even on a very small budget. But, it’s a challenging subject, a strong character drama, and it’s going to really stand or fall based on the performances of the actors. I want to do it right, so I’m not interested in doing it with pocket change that could hardly fund a good short, let alone a feature. So that’s where funding comes in. And that’s so much of what I’m going to be spending my efforts on over the next couple of years.”
Meanwhile, Gilbert explains that, “Here in Indiana, I will be focusing on writing and making contacts on the west coast. Currently, I am revising two feature length screenplays and creating another spec script for television.” He and Wisler will continue collaboration on revisions for the feature script they have co-authored and will develop plans for funding and production.
This move has also coincided with the completion of Runaway Pen’s newest short film, “Always Reaching.” That film, along with “Cold October,” is currently being submitted to film festivals. “Festivals are an important part of what we’re doing,” says Wisler. “We need to get our films out there, in front of audiences, in front of other filmmakers, we’ve got to impress the right people. That’s easier said than done, though.”
If you are part of Facebook, you can join a fan group for “Cold October.” At some point in the future a group will likely be created for “Always Reaching” as well. Joining such a group will also help fans of Runaway Pen keep up to date on what’s taking place with the filmmakers and where they might be able to catch a screening of such films at a festivals or event.
Wednesday, August 20th, 2008
Runaway Pen to be Featured on Radio Show
This Sunday (08-24-2008) afternoon at 4 PM (EST), Mikel J. Wisler and Andrew Gilbert will be featured guests on the growing Internet talk radio show Cease Fire Strategies. The show is centered on discussions on how Christians can better engage and interact with the broader culture around them. Steaming from the book written by the show's hosts, Eric Bumps and Tim Moranville, titled Cease Fire the War is Over, the show seeks to make interaction with rather than attacks at the American culture the focus of Christian efforts.
Both Gilbert and Wisler have been guests in the past, but this marks the first time the two will be on the show expressly to discuss their work in Runaway Pen Productions, how they make films, and why Wisler is moving to Boston. Cease Fire Strategies has also featured discussions with Barbara Nicolosi (Act One), Karen Covell (from the Hollywood Prayer Network), Craig Detweiler and John Marks (filmmakers of the documentary A Purple State of Mind), and Brian Godawa (screenwriter of To End All Wars).
The show will last one hour, and during that time listeners are encouraged to call or e-mail questions and comments. To check out the official Cease Fire Strategies station go to: www.blogtalkradio.com/CeaseFireStrategies. Click here to link directly to the upcoming show.
You can also see the official Cease Fire Strategies website by going to: http://www.ceasefirestrategies.com. All previous shows can be streamed or downloaded. After 5 PM (EST) on Sunday, this new show with Gilbert and Wisler will also be available for streaming or download. There is also a web forum for discussions about the shows and other related topics. Both Gilbert and Wisler are part of the forum and regularly post comments and responses. The forum can be reached by going to: www.ceasefirestrategies.net. You can also check out a copy of the book, Cease Fire the War is Over by clicking here.
Wisler will be moving to Boston on Monday, August 25th.
This Sunday (08-24-2008) afternoon at 4 PM (EST), Mikel J. Wisler and Andrew Gilbert will be featured guests on the growing Internet talk radio show Cease Fire Strategies. The show is centered on discussions on how Christians can better engage and interact with the broader culture around them. Steaming from the book written by the show's hosts, Eric Bumps and Tim Moranville, titled Cease Fire the War is Over, the show seeks to make interaction with rather than attacks at the American culture the focus of Christian efforts.
Both Gilbert and Wisler have been guests in the past, but this marks the first time the two will be on the show expressly to discuss their work in Runaway Pen Productions, how they make films, and why Wisler is moving to Boston. Cease Fire Strategies has also featured discussions with Barbara Nicolosi (Act One), Karen Covell (from the Hollywood Prayer Network), Craig Detweiler and John Marks (filmmakers of the documentary A Purple State of Mind), and Brian Godawa (screenwriter of To End All Wars).
The show will last one hour, and during that time listeners are encouraged to call or e-mail questions and comments. To check out the official Cease Fire Strategies station go to: www.blogtalkradio.com/CeaseFireStrategies. Click here to link directly to the upcoming show.
You can also see the official Cease Fire Strategies website by going to: http://www.ceasefirestrategies.com. All previous shows can be streamed or downloaded. After 5 PM (EST) on Sunday, this new show with Gilbert and Wisler will also be available for streaming or download. There is also a web forum for discussions about the shows and other related topics. Both Gilbert and Wisler are part of the forum and regularly post comments and responses. The forum can be reached by going to: www.ceasefirestrategies.net. You can also check out a copy of the book, Cease Fire the War is Over by clicking here.
Wisler will be moving to Boston on Monday, August 25th.
Monday, August 11, 2008
Newest Runaway Pen Short Film Completed
“Always Reaching,” shot back in May of this year, has now been finished off and even submitted to its first film festival. Both Andrew Gilbert and Mikel J. Wisler (producers) are quite pleased with the film and have high hopes for it. Along with the film being completed, there is a brand new website for “Always Reaching” with information about the film, stills, preview, and coming soon, a behind the scenes documentary on the making of “Always Reaching.” The filmmakers have shown this short film to a handful of people so far, and the reactions have been quite exciting. To see the new "Always Reaching" website, go to: alwaysreachingfilm.webs.com.
“Cold October” Special Web Screening
Runaway Pen is launching a new approach to marketing their short films. Filmmakers Mikel J. Wisler and Andrew Gilbert are hosting a web test-screening event for their short film “Cold October.” If you are part of the “Cold October” Short Film group on Facebook, you can send Wisler a message asking to be able to see the film, and you can be added to a list of people who will be given access to secure site where “Cold October” plus a brand new preview for “Always Reaching” will be shown for free. All the filmmakers are asking for in return is that those who view the film leave feedback on Withouabox.com (Without a Box). If you would like to learn more about this special screening, join the Facebook group or contact Wisler directly, (mikelwisler@gmail.com).
“Always Reaching,” shot back in May of this year, has now been finished off and even submitted to its first film festival. Both Andrew Gilbert and Mikel J. Wisler (producers) are quite pleased with the film and have high hopes for it. Along with the film being completed, there is a brand new website for “Always Reaching” with information about the film, stills, preview, and coming soon, a behind the scenes documentary on the making of “Always Reaching.” The filmmakers have shown this short film to a handful of people so far, and the reactions have been quite exciting. To see the new "Always Reaching" website, go to: alwaysreachingfilm.webs.com.
“Cold October” Special Web Screening
Runaway Pen is launching a new approach to marketing their short films. Filmmakers Mikel J. Wisler and Andrew Gilbert are hosting a web test-screening event for their short film “Cold October.” If you are part of the “Cold October” Short Film group on Facebook, you can send Wisler a message asking to be able to see the film, and you can be added to a list of people who will be given access to secure site where “Cold October” plus a brand new preview for “Always Reaching” will be shown for free. All the filmmakers are asking for in return is that those who view the film leave feedback on Withouabox.com (Without a Box). If you would like to learn more about this special screening, join the Facebook group or contact Wisler directly, (mikelwisler@gmail.com).
Saturday, June 14, 2008
“Always Reaching” Picture Lock
The newest Runaway Pen Productions short film, “Always Reaching” has reached a picture lock. This means that primary visual editing has been completed. The filmmakers Mikel J. Wisler and Andrew Gilbert now have moved into the digital grading work (color correction). Wisler will also be heavily involved with the sound editing and mixing for the film. He’ll be working with “Cold October” sound mixer, Heber Hernandez.
Recently, actresses Rachel Cottom and Jennie Sophia took time out of their busy schedules to step into Bruce Wolfe’s studio in South Bend, Indiana where Brenan Campbell conducted individual ADR (additional dialogue recording) sessions for one of the scenes in the film.
Rachel Cottom during ADR session.
“It’s always the exterior city scenes,” explains Wisler, “those are the ones that tend to give us trouble. It was like that on ‘Cold October.’ With this film, we had a very important scene with hefty bit of dialogue that was show out on the East Race River in South Bend. But the wind and traffic sounds vary so much from shot to shot that it would be a mixing nightmare. I don’t want to put Heber through that. So, we jumped into the studio and managed to rerecord the dialogue for both Rachel and Jennie in one day. This is really a great thing, actually. Now we have total control over the sound lever of literally everything in the scene. I can now specially turn down the volume on any given element we which to mix into the scene, since we’ll be building it all up from the ground.”
Jennie Sophia and Brenan Campbell during ADR session.
The film, now reaching its last phases of postproduction, will begin festival submissions in the fall. There is no word at this time as to when the film may have a special screening for the general public.
The newest Runaway Pen Productions short film, “Always Reaching” has reached a picture lock. This means that primary visual editing has been completed. The filmmakers Mikel J. Wisler and Andrew Gilbert now have moved into the digital grading work (color correction). Wisler will also be heavily involved with the sound editing and mixing for the film. He’ll be working with “Cold October” sound mixer, Heber Hernandez.
Recently, actresses Rachel Cottom and Jennie Sophia took time out of their busy schedules to step into Bruce Wolfe’s studio in South Bend, Indiana where Brenan Campbell conducted individual ADR (additional dialogue recording) sessions for one of the scenes in the film.
Rachel Cottom during ADR session.
Jennie Sophia and Brenan Campbell during ADR session.
The film, now reaching its last phases of postproduction, will begin festival submissions in the fall. There is no word at this time as to when the film may have a special screening for the general public.
Jennie Sophia at the Bruce Wolfe Studio.
Saturday, May 31, 2008
"Cold October" Distribution Possibilities
This past week, a representative from Echelon Studios in California contacted director Mikel J. Wisler. The film acquisitions team at Echelon has seen “Cold October” and has expressed great interest in possibly distributing the short film. Wisler is currently in communications with Echelon, who will be presenting him with a sample contract in the next week.
Currently, Ouat Media’s Festival Submission Service is send out “Cold October” to film festivals around the world. Ouat Media is also looking at “Cold October” as a possible film to include in their distribution branch. “This is exciting news,” says Wisler. “Now we just want to take it slow, and figure out our best course of action. I still want ‘Cold October’ to premiere at a festival. I’ve expressed this to Echelon. Plus, I just want to make sure we’re on the same page when it comes to how the film gets distributed. So nothing’s set in stone at this point. But it’s certainly moving in the right direction.”
Echelon studios first approached Wisler about “Cold October” after seeing the project listed on Mandy.com. Wisler promptly sent them a screener DVD.
This past week, a representative from Echelon Studios in California contacted director Mikel J. Wisler. The film acquisitions team at Echelon has seen “Cold October” and has expressed great interest in possibly distributing the short film. Wisler is currently in communications with Echelon, who will be presenting him with a sample contract in the next week.
Currently, Ouat Media’s Festival Submission Service is send out “Cold October” to film festivals around the world. Ouat Media is also looking at “Cold October” as a possible film to include in their distribution branch. “This is exciting news,” says Wisler. “Now we just want to take it slow, and figure out our best course of action. I still want ‘Cold October’ to premiere at a festival. I’ve expressed this to Echelon. Plus, I just want to make sure we’re on the same page when it comes to how the film gets distributed. So nothing’s set in stone at this point. But it’s certainly moving in the right direction.”
Echelon studios first approached Wisler about “Cold October” after seeing the project listed on Mandy.com. Wisler promptly sent them a screener DVD.
Sponsors
Wednesday, May 7, 2008
Runaway Pen Wraps a New Short Film
Mikel J. Wisler (director), and Jennie Sophia (actress), on the set of "Always Reaching."
Kyle Bainter (cinematographer) with his camera on the set of "Always Reaching."
Rachel Cottom (actress) and Mikel J. Wisler (director) on the set of "Always Reaching."
Andrew Gilbert (actor) on the set of "Always Reaching."
This past weekend, Runaway Pen, in association with Overdun Productions, spent three days shooting a new short film. The film, called “Always Reaching,” was written by Andrew Gilbert and Mikel J. Wisler, who also served as producers. It is a dark drama about the entangled lives of three characters. Starring in the film is Runaway Pen regular, Rachel Cottom, Andrew Gilbert, and introducing Jennie Sophia.
One major change in this film was in the camera department. Overdun Production’s Kyle Bainter served as cinematographer. Using his Panasonic HVX200, Letus 35 lens mount, and set of four Nikon prime lenses, Bainter lit and crafted shots unlike anything seen in a Runaway Pen film so far. The production lasted three days, with the largest crew of any Runaway Pen production to date. Several crewmembers from past projects returned to work on "Always Reaching."
“It feel great,” says director Mikel J. Wisler. “I don’t want to get ahead of myself, because we just wrapped and I’ve just started cutting this film, but it feels really great. There’s something there, something really special. My hats off to the awesome crew we had, and my cast consistently blew me away. I’m really excited to see this thing completed. I’m positive it’ll be the best thing we’ve made to date. And I’m really proud of the work Jennie did being new to film acting. You’d never now it. This is sort of a small ensemble piece, and every single actor had to play their hearts out. Andy, Rachel, and Jennie really did it. And that's why I feel we've really got something here. It's not an easy story to tell. And at some points I stop and wonder if the story picked me, rather than me picking the story. I'm always in search of transcendent cinema, whether to watch or create. I think we may have touched on something here. At least, it sure feels that way.”
The film is expected to be completed late summer at the earliest. Actual public release of the film may not be until 2009, when the film can hit the film festival circuit full force.
One major change in this film was in the camera department. Overdun Production’s Kyle Bainter served as cinematographer. Using his Panasonic HVX200, Letus 35 lens mount, and set of four Nikon prime lenses, Bainter lit and crafted shots unlike anything seen in a Runaway Pen film so far. The production lasted three days, with the largest crew of any Runaway Pen production to date. Several crewmembers from past projects returned to work on "Always Reaching."
“It feel great,” says director Mikel J. Wisler. “I don’t want to get ahead of myself, because we just wrapped and I’ve just started cutting this film, but it feels really great. There’s something there, something really special. My hats off to the awesome crew we had, and my cast consistently blew me away. I’m really excited to see this thing completed. I’m positive it’ll be the best thing we’ve made to date. And I’m really proud of the work Jennie did being new to film acting. You’d never now it. This is sort of a small ensemble piece, and every single actor had to play their hearts out. Andy, Rachel, and Jennie really did it. And that's why I feel we've really got something here. It's not an easy story to tell. And at some points I stop and wonder if the story picked me, rather than me picking the story. I'm always in search of transcendent cinema, whether to watch or create. I think we may have touched on something here. At least, it sure feels that way.”
The film is expected to be completed late summer at the earliest. Actual public release of the film may not be until 2009, when the film can hit the film festival circuit full force.
Mikel J. Wisler (director), and Jennie Sophia (actress), on the set of "Always Reaching."
Kyle Bainter (cinematographer) with his camera on the set of "Always Reaching."
Rachel Cottom (actress) and Mikel J. Wisler (director) on the set of "Always Reaching."
Andrew Gilbert (actor) on the set of "Always Reaching."
Monday, April 28, 2008
First Public Exposure for “Cold October”
The newest Runaway Pen short film, "Cold October," was shown twice this past weekend to the public. Inspire Athletics hosted the event, with a great turn out on both Saturday and Sunday. Along with "Cold October" Runaway Pen screened "Cellar Door," their 37-minute short film that has international distribution and has been featured in two film festivals.
After the screenings of "Cold October," the audience had an opportunity to interact with the filmmakers in two ways: There was a question and answer time where those involved in making the film talked about their roles and the process, and every audience member was given a survey where they could rate various elements of the film and comments on it.
Here is a small sampling of the audience feedback in response to their favorite part of "Cold October:"
"Good storyline. . . . The special effects and artwork and music were excellent."
"I think the editing and special effects in 'Cold October' were executed really well. It really made some of the scenes."
"I loved the humor intermixed with the great storyline. Good comic relief."
"It’s hard to choose! This film impressed me so much!"
"The artwork was a great addition."
"I usually pride myself in being able to guess the ending of a film. ‘Cold October’ kept me guessing."
With this first public exposure of "Cold October," the filmmakers are hopeful that more film festivals will be equally as enthusiastic about the film. "Cold October" will be submitted to at least 50 film festivals around the world over the course of this festival season. The filmmakers are using the Ouat Media Film Festival Submission Service for this.
Filmmakers Andrew Gilbert and Mikel J. Wisler, however, are not sitting back and just waiting to see what happens. They begin shooting a new short film on Friday, May 2. The new short, "Always Reaching," is a dark drama being shot with professional cinematographer Kyle Bainter. For more information about this short film, visit the "Always Reaching" page of this website.
The newest Runaway Pen short film, "Cold October," was shown twice this past weekend to the public. Inspire Athletics hosted the event, with a great turn out on both Saturday and Sunday. Along with "Cold October" Runaway Pen screened "Cellar Door," their 37-minute short film that has international distribution and has been featured in two film festivals.
After the screenings of "Cold October," the audience had an opportunity to interact with the filmmakers in two ways: There was a question and answer time where those involved in making the film talked about their roles and the process, and every audience member was given a survey where they could rate various elements of the film and comments on it.
Here is a small sampling of the audience feedback in response to their favorite part of "Cold October:"
"Good storyline. . . . The special effects and artwork and music were excellent."
"I think the editing and special effects in 'Cold October' were executed really well. It really made some of the scenes."
"I loved the humor intermixed with the great storyline. Good comic relief."
"It’s hard to choose! This film impressed me so much!"
"The artwork was a great addition."
"I usually pride myself in being able to guess the ending of a film. ‘Cold October’ kept me guessing."
With this first public exposure of "Cold October," the filmmakers are hopeful that more film festivals will be equally as enthusiastic about the film. "Cold October" will be submitted to at least 50 film festivals around the world over the course of this festival season. The filmmakers are using the Ouat Media Film Festival Submission Service for this.
Filmmakers Andrew Gilbert and Mikel J. Wisler, however, are not sitting back and just waiting to see what happens. They begin shooting a new short film on Friday, May 2. The new short, "Always Reaching," is a dark drama being shot with professional cinematographer Kyle Bainter. For more information about this short film, visit the "Always Reaching" page of this website.
Wednesday, April 2, 2008
"Cold October" Special Screening.
In April, Runaway Pen Productions will be presenting a special test screening in Northern Indiana of their new short film, "Cold October." Elkhart’s Inspire Athletics will host the event, with screenings at their gym on Saturday, April 26 at 8 PM, and Sunday, April 27 at 3 PM. The cost will be $5.00 at the door. All of the money raised at these screenings will go directly to help the filmmakers pay for film festival submissions.
Inspire Athletics is located at: 24615 C.R. 45 Suite 3, Elkhart, IN 46516. For more informational about the screening, please contact Mikel J. Wisler at: mikelwisler@gmail.com or by phone: 574.309.4374.
Also showing at the screening will be "Cellar Door," the first Runaway Pen film to gain international attention through distribution, a grant, and recent airtime on Canada’s short film cable station, Movieola. Both “Cellar Door” and “Cold October” will be projected in HD for maximum quality. After the presentation of the films is completed, the filmmakers will host a Q&A time where audience members are invited to ask questions and interact with the filmmakers.
"Cold October" represents the most ambitious short film for filmmakers Mikel J. Wisler (director, co-writer, producer) and Andrew Gilbert (cinematographer, co-writer, producer). Not just a technically demanding film, but also one filled with emotion and suspense, the reactions from early sneak peak viewers have been quite positive.
The story of "Cold October" is about man named Henry (Matthew Eaton), who has a sleep disorder. Occasionally, while awake, his mind will slip into a dream-like state, and he hallucinates. He runs into an old friend, Emily (Brittany Fried), who has just moved into the same apartment building where Henry lives. She's trying to get away from a stalker who has been sending her poems and pictures. As Henry learns of this, he begins to believe that what he is seeing in his hallucinations may be glimpses of her future. And if so, he has to save her.
Shot in October and November of 2007, the film has been in steady post-production since then, only recently being completed. Also in the cast are Rachel Cottom ("Cellar Door") and Andrew Gilbert. Original music for "Cold October" was composed and recorded by Greg Shearon, who first worked with Wisler on “Cellar Door.” Given the plot, the film mixes special effects with careful lighting and intentional performances to craft a narrative sure to excite, all while being the shortest film Wisler has directed in a while, coming in at just under 30 minutes. Scroll down to read more about the production of "Cold October" in past news postings.
Due to language, some disturbing images, and violence, this film may not be suitable for children. Be sure to check out the official “Cold October” website: http://coldoctoberfilm.webs.com, as well as the official “Cellar Door” site: http://cellardoorfilm.webs.com.
Inspire Athletics is located at: 24615 C.R. 45 Suite 3, Elkhart, IN 46516. For more informational about the screening, please contact Mikel J. Wisler at: mikelwisler@gmail.com or by phone: 574.309.4374.
Also showing at the screening will be "Cellar Door," the first Runaway Pen film to gain international attention through distribution, a grant, and recent airtime on Canada’s short film cable station, Movieola. Both “Cellar Door” and “Cold October” will be projected in HD for maximum quality. After the presentation of the films is completed, the filmmakers will host a Q&A time where audience members are invited to ask questions and interact with the filmmakers.
"Cold October" represents the most ambitious short film for filmmakers Mikel J. Wisler (director, co-writer, producer) and Andrew Gilbert (cinematographer, co-writer, producer). Not just a technically demanding film, but also one filled with emotion and suspense, the reactions from early sneak peak viewers have been quite positive.
The story of "Cold October" is about man named Henry (Matthew Eaton), who has a sleep disorder. Occasionally, while awake, his mind will slip into a dream-like state, and he hallucinates. He runs into an old friend, Emily (Brittany Fried), who has just moved into the same apartment building where Henry lives. She's trying to get away from a stalker who has been sending her poems and pictures. As Henry learns of this, he begins to believe that what he is seeing in his hallucinations may be glimpses of her future. And if so, he has to save her.
Shot in October and November of 2007, the film has been in steady post-production since then, only recently being completed. Also in the cast are Rachel Cottom ("Cellar Door") and Andrew Gilbert. Original music for "Cold October" was composed and recorded by Greg Shearon, who first worked with Wisler on “Cellar Door.” Given the plot, the film mixes special effects with careful lighting and intentional performances to craft a narrative sure to excite, all while being the shortest film Wisler has directed in a while, coming in at just under 30 minutes. Scroll down to read more about the production of "Cold October" in past news postings.
Due to language, some disturbing images, and violence, this film may not be suitable for children. Be sure to check out the official “Cold October” website: http://coldoctoberfilm.webs.com, as well as the official “Cellar Door” site: http://cellardoorfilm.webs.com.
Monday, February 18, 2008
"Cellar Door" Shown at the 2008 IFIFV.
"Cellar Door" made its film festival appearance this past Saturday in Bloomington at the 2008 Indiana Festival of Independent Film and Video. At the festival, director Mikel J. Wisler was presented the grant “Cellar Door” was awarded with by Cinephile Film Arts, the organization behind the festival. Also showing at the festival were two films by Brenan Campbell, (“Human Resources” and “The King of Pop”) who worked on “Cellar Door.” In fact, Wisler had a hand in creating the two films Campbell directed, and even played a small acting role in “Human Resources.”
The Buskirk-Chumley Theater in Bloomington, Indiana.
“It felt good to be part of a festival finally,” says Wisler. “We’ve been working really hard, and it good to finally be able to get some expose. And it was great to be there with Brenan’s films too. We’ve been working together for some time now, and to be able to attend a festival together that’s showcasing work we’ve both collaborated on feels very rewarding.”
Downtown Bloomington, Indiana.
You can see more pictures of film festival in the by going to the “Cellar Door” website. A short documentary video will be edited and released in the next couple of weeks covering the trip down and back by Andrew Gilbert, Matthew Eaton, and Wisler. It will be available for free on the “Cellar Door” website.
For more information on the IFIFV, go to: www.cinephilefilmarts.org.
February 14, 2008
"Cellar Door" Makes First Festival Appearance.
This Saturday, "Cellar Door" will be shown at the Indiana Festival of Independent Film, a festival organized by Cinephile Film Arts, which awarded "Cellar Door" a grant and will be presenting the check to director Mikel J. Wisler on Saturday. Attending the festival along with Wisler are Andrew Gilbert (co-writer, producer, cinematographer) and Matthew Eaton (actor, "stranger"). Also in attendance will be Brenan Campbell (Assistant Director and Sound) who has two of his own short films being screened at this year's festival.
"I'm very excited about the festival," says Wisler. "It's a first for us, to finally see one of our projects in a film festival and being given a grant. I'm also really looking forward to seeing the other films being show."
Expect an update about the festival early next week.
"Cold October" Nears End of Post Production.
Last week, color correction work was completed on the short film. Sound mixing began in Elkhart, Indiana with sound mixer Heber Hernandez. Music composer, Greg Shearon, continues his work on the soundtrack for the film. "If all continues well," says director Mikel J. Wisler, "We should have a completed film in mid March."
There are no plans for a Northern Indiana screening of "Cold October." The filmmakers continue to discuss possible venues, but have not been able to make definite arrangements. "Right now, the focus is on getting the thing done and in front of Ouat Media," explains Wisler. Oaut Media, which distributes "Cellar Door," has seen the preview for "Cold October" and expressed interest in seeing the finished film.
Expect a new preview for "Cold October" once post production for the film is completed.
This Saturday, "Cellar Door" will be shown at the Indiana Festival of Independent Film, a festival organized by Cinephile Film Arts, which awarded "Cellar Door" a grant and will be presenting the check to director Mikel J. Wisler on Saturday. Attending the festival along with Wisler are Andrew Gilbert (co-writer, producer, cinematographer) and Matthew Eaton (actor, "stranger"). Also in attendance will be Brenan Campbell (Assistant Director and Sound) who has two of his own short films being screened at this year's festival.
"I'm very excited about the festival," says Wisler. "It's a first for us, to finally see one of our projects in a film festival and being given a grant. I'm also really looking forward to seeing the other films being show."
Expect an update about the festival early next week.
"Cold October" Nears End of Post Production.
Last week, color correction work was completed on the short film. Sound mixing began in Elkhart, Indiana with sound mixer Heber Hernandez. Music composer, Greg Shearon, continues his work on the soundtrack for the film. "If all continues well," says director Mikel J. Wisler, "We should have a completed film in mid March."
There are no plans for a Northern Indiana screening of "Cold October." The filmmakers continue to discuss possible venues, but have not been able to make definite arrangements. "Right now, the focus is on getting the thing done and in front of Ouat Media," explains Wisler. Oaut Media, which distributes "Cellar Door," has seen the preview for "Cold October" and expressed interest in seeing the finished film.
Expect a new preview for "Cold October" once post production for the film is completed.
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Friday, December 7, 2007
“Cellar Door” Sold to Canadian Short Film Channel
After winning a grant and a spot in a film festival, a couple of young filmmakers couldn’t ask for too much more in one week. However, late Friday afternoon, Mikel J. Wisler received news from Ouat Media, the company distributing “Cellar Door” that Movieola (www.movieola.ca), a Canadian short film cable station, has bought the rights to show the film on their channel. This is the first sale of “Cellar Door.”
“I am floored,” say Wisler. “It’s just crazy to have all this happen in one week. I had e-mailed Ouat Media to let them know we’d won the Cinephile grant and would be in their film festival. Then I got back from a writing session with Andy [Gilbert] and checked my e-mail. And there it was, a congratulations on the grant and news that Movieola bought ‘Cellar Door.’”
Ouat Media has pitched the film to other places and is currently waiting to hear back. There’s no word yet on what amount of money this first sale represents. “As far as our short films go,” explains Wisler, “this was an expensive one. It will still take a while before we actually turn a profit. But that’s not even the real point right now. We just want to take things one-step at a time, earn our stripes, and the ability to make films with real budgets some day. That’s our dream, and meanwhile, we’re enjoying the ride.”
After winning a grant and a spot in a film festival, a couple of young filmmakers couldn’t ask for too much more in one week. However, late Friday afternoon, Mikel J. Wisler received news from Ouat Media, the company distributing “Cellar Door” that Movieola (www.movieola.ca), a Canadian short film cable station, has bought the rights to show the film on their channel. This is the first sale of “Cellar Door.”
“I am floored,” say Wisler. “It’s just crazy to have all this happen in one week. I had e-mailed Ouat Media to let them know we’d won the Cinephile grant and would be in their film festival. Then I got back from a writing session with Andy [Gilbert] and checked my e-mail. And there it was, a congratulations on the grant and news that Movieola bought ‘Cellar Door.’”
Ouat Media has pitched the film to other places and is currently waiting to hear back. There’s no word yet on what amount of money this first sale represents. “As far as our short films go,” explains Wisler, “this was an expensive one. It will still take a while before we actually turn a profit. But that’s not even the real point right now. We just want to take things one-step at a time, earn our stripes, and the ability to make films with real budgets some day. That’s our dream, and meanwhile, we’re enjoying the ride.”
Tuesday, December 4, 2007
"Cellar Door" Awarded Grant and Entered into Festival.
"Cellar Door" has been awarded a grant from Cinephile Film Arts, an organization out of Bloomington, Indiana, that promotes independent filmmaking in the state of Indiana. Despite being the most competitive year for the Cinephile grants so far, “Cellar Door” made an impression and won one of the grants given out, and thus has earned a spot in the 3rd Annual Indiana Festival of Independent Film. The festival will take place at the historic Buskirk-Chumley Theater, in Bloomington, Indiana, on February 16, 2008.
“We’ve crossed a new milestone in an unexpected way,” says Wisler. “We’ve gotten a short film into a film festival and won a grant that will help make up for some of the expense in making ‘Cellar Door.’ I’m very excited, and I’m really looking forward to attending the festival.”
For more information on the festival and the grant, please visit: www.cinephilefilmarts.org.
In other film festival news related to “Cellar Door,” Dead by Dawn, a film festival out of Scotland, requested that Ouat Media (distributor) submit “Cellar Door” to their international horror film festival after finding it in the Ouat Media On-line catalogue. The filmmakers have yet to hear if “Cellar Door” has been selected to be a part of Dead by Dawn.
"Cellar Door" has been awarded a grant from Cinephile Film Arts, an organization out of Bloomington, Indiana, that promotes independent filmmaking in the state of Indiana. Despite being the most competitive year for the Cinephile grants so far, “Cellar Door” made an impression and won one of the grants given out, and thus has earned a spot in the 3rd Annual Indiana Festival of Independent Film. The festival will take place at the historic Buskirk-Chumley Theater, in Bloomington, Indiana, on February 16, 2008.
“We’ve crossed a new milestone in an unexpected way,” says Wisler. “We’ve gotten a short film into a film festival and won a grant that will help make up for some of the expense in making ‘Cellar Door.’ I’m very excited, and I’m really looking forward to attending the festival.”
For more information on the festival and the grant, please visit: www.cinephilefilmarts.org.
In other film festival news related to “Cellar Door,” Dead by Dawn, a film festival out of Scotland, requested that Ouat Media (distributor) submit “Cellar Door” to their international horror film festival after finding it in the Ouat Media On-line catalogue. The filmmakers have yet to hear if “Cellar Door” has been selected to be a part of Dead by Dawn.
Friday, November 9th, 2007
"Cold October" Production Wrap
This past weekend, Runaway Pen wrapped production on a new short film, “Cold October.” Directed by Mikel J. Wisler ("Cellar Door"), “Cold October” was shot on two consecutive weekends (October 26th through the 28th and November 2nd through the 4th) in South Bend, Indiana. Due to bad weather, the production fell behind during the first weekend, but under Brenan Campbell's guidance as the 1st Assistant Director, production finished its first weekend on schedule after a rather long day on Saturday, October 27th. The second weekend continued as planned, with only minor additions of pick-up shots cinematographer Andrew Gilbert and director Wisler felt needed to be re-shot or added after watching the dailies from the first weekend in a HD theater facility in Elkhart which allowed them to see the footage projected in its native HD 1080i format it was shot in.
“The footage looks the best it ever has,” says Wisler. “After watching the dailies from the first weekend in HD on that big screen, I really felt like we are on to something good. I feel like we’re leaning something, and we’re getting better.” After having seen the footage from the first weekend projected in HD, Wisler and Gilbert opted not to make the trip to Elkhart this past Wednesday to watch the second weekend footage in the same manner. “I’ve got it all loaded into Final Cut, and I can play it back in HD on my 24-inch screen. It looks great. We’ve been really paranoid this time around about exposure and focus, and it’s paid off. With how good the footage looked last week, I feel safe in continuing without having to see everything project. But it really helped after that first weekend, and I’m glad we did it. And then we got even better at shooting on the second weekend. I think last Saturday we shot the most beautifully lit scenes I’ve ever directed. I was floored.”
Brittany Fried (actress) on the set of "Cold October."
With the footage conversion from 60i to 24p frame rate completed, Wisler has been cutting the film all week. He’s had other work and demands on his time, but has made significant progress on the first cut of the film already. “Thursday was the first day I got to just sit there and cut all day. It was great. There’s a real rhythm to it. This film is coming together fast right now, especially since this is the first project I’ve been able to cut on a computer powerful enough to allow me to just work in HD from the beginning, and not have to be selective about what takes end up being recaptured in HD and converted to 24p. All of this will slow down, of course, once I have to start work on the special effects shots and then get into digital grading and color work. I’m still hopeful that we can have a picture lock before long, that way I at least have something to hand over to Greg [Shearon] so he can start scoring this film.”
Unlike short films Runaway Pen has put out in the past, there are no immediate plans for the release of any teaser or preview to “Cold October” in the near future. “I started cutting a teaser based on the footage from the first weekend,” Wisler explains. “But this film is going through the works. It’s beautiful footage. But we’re not done with it yet. We’re using the new Apple digital grading program, Color, on every single shot. I’ve done some testing, and it’s going to be great. Plus, there’s the FX shots and little tricks I want to play with the footage, getting a slightly shallower depth of field to give the footage that nicer prime lens look. So, I’m just not ready to show anyone anything yet.”
With that in mind, Runaway Pen is attempting a new sort of interactive workflow for prost-production for “Cold October.” The team has a secret group on Facebook (a networking website), where only those involved with the film or invited to view rough scenes and comment on the editing can see the process and be a part of it. It is by invitation only, and is otherwise invisible. Two rough demo reels from both weekends have been uploaded to this group. At some point in the next week, Wisler should begin uploading scenes from the first cut of the film and start gathering feedback. However, don’t expect even a simple teaser for “Cold October” until 2008. The film is expected to be completed some time in the spring.
Andrew Gilbert (co-writer, prod., DP), Ashley Gilbert (1st AC), and Mikel J. Wisler (co-writer, prod., dir.)
This past weekend, Runaway Pen wrapped production on a new short film, “Cold October.” Directed by Mikel J. Wisler ("Cellar Door"), “Cold October” was shot on two consecutive weekends (October 26th through the 28th and November 2nd through the 4th) in South Bend, Indiana. Due to bad weather, the production fell behind during the first weekend, but under Brenan Campbell's guidance as the 1st Assistant Director, production finished its first weekend on schedule after a rather long day on Saturday, October 27th. The second weekend continued as planned, with only minor additions of pick-up shots cinematographer Andrew Gilbert and director Wisler felt needed to be re-shot or added after watching the dailies from the first weekend in a HD theater facility in Elkhart which allowed them to see the footage projected in its native HD 1080i format it was shot in.
“The footage looks the best it ever has,” says Wisler. “After watching the dailies from the first weekend in HD on that big screen, I really felt like we are on to something good. I feel like we’re leaning something, and we’re getting better.” After having seen the footage from the first weekend projected in HD, Wisler and Gilbert opted not to make the trip to Elkhart this past Wednesday to watch the second weekend footage in the same manner. “I’ve got it all loaded into Final Cut, and I can play it back in HD on my 24-inch screen. It looks great. We’ve been really paranoid this time around about exposure and focus, and it’s paid off. With how good the footage looked last week, I feel safe in continuing without having to see everything project. But it really helped after that first weekend, and I’m glad we did it. And then we got even better at shooting on the second weekend. I think last Saturday we shot the most beautifully lit scenes I’ve ever directed. I was floored.”
Brittany Fried (actress) on the set of "Cold October."
With the footage conversion from 60i to 24p frame rate completed, Wisler has been cutting the film all week. He’s had other work and demands on his time, but has made significant progress on the first cut of the film already. “Thursday was the first day I got to just sit there and cut all day. It was great. There’s a real rhythm to it. This film is coming together fast right now, especially since this is the first project I’ve been able to cut on a computer powerful enough to allow me to just work in HD from the beginning, and not have to be selective about what takes end up being recaptured in HD and converted to 24p. All of this will slow down, of course, once I have to start work on the special effects shots and then get into digital grading and color work. I’m still hopeful that we can have a picture lock before long, that way I at least have something to hand over to Greg [Shearon] so he can start scoring this film.”
Unlike short films Runaway Pen has put out in the past, there are no immediate plans for the release of any teaser or preview to “Cold October” in the near future. “I started cutting a teaser based on the footage from the first weekend,” Wisler explains. “But this film is going through the works. It’s beautiful footage. But we’re not done with it yet. We’re using the new Apple digital grading program, Color, on every single shot. I’ve done some testing, and it’s going to be great. Plus, there’s the FX shots and little tricks I want to play with the footage, getting a slightly shallower depth of field to give the footage that nicer prime lens look. So, I’m just not ready to show anyone anything yet.”
With that in mind, Runaway Pen is attempting a new sort of interactive workflow for prost-production for “Cold October.” The team has a secret group on Facebook (a networking website), where only those involved with the film or invited to view rough scenes and comment on the editing can see the process and be a part of it. It is by invitation only, and is otherwise invisible. Two rough demo reels from both weekends have been uploaded to this group. At some point in the next week, Wisler should begin uploading scenes from the first cut of the film and start gathering feedback. However, don’t expect even a simple teaser for “Cold October” until 2008. The film is expected to be completed some time in the spring.
Andrew Gilbert (co-writer, prod., DP), Ashley Gilbert (1st AC), and Mikel J. Wisler (co-writer, prod., dir.)
Friday, October 19, 2007
177 Series Completed, but More Fun Still Coming
A week ago, the last episode of "177" was released on the Web. However, Runaway Pen Productions is releasing today a blooper reel from the footage. This video, which runs about the same length as an episode, will be available on Facebook, YouTube, and Veoh. As if that's not enough, a week from today, the producers will be releasing the alternate endings they shot for "177."
New Short Film About to Begin Production
Mikel J. Wisler and Andrew Gilbert have been hard at work developing a new short film, "Cold October." This new psychological thriller will be directed by Wisler, with Gilbert behind the camera for most of it. Gilbert will be venturing out in front of the camera for a supporting role in the film. Like "Cellar Door," Wisler and Gilbert co-authored the screenplay together for "Cold October." Both are producing. In the cast: Matthew Eaton, Brittany Fried, and Rachel Cottom. One key crewmember from "Cellar Door" is also returning to work on "Cold October." Brenan Campbell will be the 1st Assistant Director for shot film.
Production for Cold October begins on Friday, October 26th. The shooting will take place over two consecutive weekends. All of the shooting is taking place in South Bend, Indiana. Most of the equipment being used is the same as what was used to create "Cellar Door." However, though some connection, Wisler will be able to secure some larger lighting units to help with some of the exterior scenes that will be shot.
While it might be tempting to think of "Cold October" as some sort of repetition of "Cellar Door," Wisler insists it clearly isn't. "Does it feel funny to be doing another psychological thriller so soon?" he asks. "Sure. But, this film couldn't be more dissimilar to 'Cellar.' This one starts fast, has a whole lot more dialogue, and I don't really feel it's a 'twist movie.'" In many ways, the film seems to be drawing on some of the special effects Wisler and Gilbert developed in making "Ellie." "Yeah, 'Cold October' is going to push us to new technical levels with some fun special effects," says Wisler. "The lighting is the other key ingredient. This is definitely the closest I've come to shooting a Film Noir. And once we get this thing into the new Final Cut Studio 2, it's going to be one interesting looking film. That is, if we do or jobs right."
More information and a synopsis for this new short film can be found on the "Cold October" page on this website. The film is currently scheduled for completion some time in February 2008.
See "Ellie" In a Whole New Way
Just this week, Runaway Pen Productions released the 2005 science fiction short film "Ellie" onto Veoh. You can now visit the "Ellie" page on this website and watch the film uninterrupted. Previously, the short film had only been available for Internet viewing on NetFilm.com, and was broken into two parts. Check back on where Runaway Pen (then Culchie) Productions has been and how they've developed.
A week ago, the last episode of "177" was released on the Web. However, Runaway Pen Productions is releasing today a blooper reel from the footage. This video, which runs about the same length as an episode, will be available on Facebook, YouTube, and Veoh. As if that's not enough, a week from today, the producers will be releasing the alternate endings they shot for "177."
New Short Film About to Begin Production
Mikel J. Wisler and Andrew Gilbert have been hard at work developing a new short film, "Cold October." This new psychological thriller will be directed by Wisler, with Gilbert behind the camera for most of it. Gilbert will be venturing out in front of the camera for a supporting role in the film. Like "Cellar Door," Wisler and Gilbert co-authored the screenplay together for "Cold October." Both are producing. In the cast: Matthew Eaton, Brittany Fried, and Rachel Cottom. One key crewmember from "Cellar Door" is also returning to work on "Cold October." Brenan Campbell will be the 1st Assistant Director for shot film.
Production for Cold October begins on Friday, October 26th. The shooting will take place over two consecutive weekends. All of the shooting is taking place in South Bend, Indiana. Most of the equipment being used is the same as what was used to create "Cellar Door." However, though some connection, Wisler will be able to secure some larger lighting units to help with some of the exterior scenes that will be shot.
While it might be tempting to think of "Cold October" as some sort of repetition of "Cellar Door," Wisler insists it clearly isn't. "Does it feel funny to be doing another psychological thriller so soon?" he asks. "Sure. But, this film couldn't be more dissimilar to 'Cellar.' This one starts fast, has a whole lot more dialogue, and I don't really feel it's a 'twist movie.'" In many ways, the film seems to be drawing on some of the special effects Wisler and Gilbert developed in making "Ellie." "Yeah, 'Cold October' is going to push us to new technical levels with some fun special effects," says Wisler. "The lighting is the other key ingredient. This is definitely the closest I've come to shooting a Film Noir. And once we get this thing into the new Final Cut Studio 2, it's going to be one interesting looking film. That is, if we do or jobs right."
More information and a synopsis for this new short film can be found on the "Cold October" page on this website. The film is currently scheduled for completion some time in February 2008.
See "Ellie" In a Whole New Way
Just this week, Runaway Pen Productions released the 2005 science fiction short film "Ellie" onto Veoh. You can now visit the "Ellie" page on this website and watch the film uninterrupted. Previously, the short film had only been available for Internet viewing on NetFilm.com, and was broken into two parts. Check back on where Runaway Pen (then Culchie) Productions has been and how they've developed.
Saturday, September 29, 2007
Busy Week Producing and Directing for Wisler
This past week, Runaway Pen member Mikel J. Wisler was involved with two substantial projects. On Tuesday, the 25th, Wisler directed two Quick Auto commercials, both of which he wrote. Producing the spots, and behind the camera, was Kyle Bainter, owner of Overdun Productions. Both Bainter and Wisler were hired to shoot something for Darlington School in Rome, Georgia, this past week as well. They wrapped shooting for the Quick Auto spots on Tuesday evening, then headed to Chicago. The following morning, they flew out of Midway to Atlanta, where they then drove to Rome. Bainter was once again behind the camera. Wisler served as the producer for the two days of shooting in Rome. The two were hired by Explore Media to shoot the interviews needed for Darlington's new "Second Century" capital campaign.
Mikel J. Wisler on the set of the Quick Auto commercials.
"It's been a busy week," says Wisler. "But it's been a great experience. I'm particularly excited about those Quick Auto commercials. I've never done anything like it." The Quick Auto spots are the first television commercials Wisler has directed. "It's more in the style of what I do anyway, thought it did present challenges of it's own. You don't have characters with an in depth back story and definitive character arch, so it tough some time between takes to come up with good, playable direction to give the actors. It really gave me a lot to think about. It's good practice for thinking on your feet as a director."
Wisler and actress on the set of the Quick Auto commercials.
Wisler brought to the Quick Auto shoot his own dolly, feeling that the fluid movement of the right shots would raise the production value and look of this local commercial. Once the editing, effects, and sound work are completed, the spots will air around the Northern Indiana area on several television stations. Overdun Production has produced all of the recent Quick Auto commercials, and does all of the animated graphics for them as well.
Wisler and Kyle Bainter on the set of the Quick Auto commercials.
Overdun Productions also provided the camera (Panasonic's AG-HVX200) and most of the lighting. One HMI (light) and a microphone were rented. The spots were all shot in HD 720p, in 24p frame rate. Kyle Bainter is doing the editing and effects work as well as the logo animation at the end of each spot.
This past week, Runaway Pen member Mikel J. Wisler was involved with two substantial projects. On Tuesday, the 25th, Wisler directed two Quick Auto commercials, both of which he wrote. Producing the spots, and behind the camera, was Kyle Bainter, owner of Overdun Productions. Both Bainter and Wisler were hired to shoot something for Darlington School in Rome, Georgia, this past week as well. They wrapped shooting for the Quick Auto spots on Tuesday evening, then headed to Chicago. The following morning, they flew out of Midway to Atlanta, where they then drove to Rome. Bainter was once again behind the camera. Wisler served as the producer for the two days of shooting in Rome. The two were hired by Explore Media to shoot the interviews needed for Darlington's new "Second Century" capital campaign.
Mikel J. Wisler on the set of the Quick Auto commercials.
"It's been a busy week," says Wisler. "But it's been a great experience. I'm particularly excited about those Quick Auto commercials. I've never done anything like it." The Quick Auto spots are the first television commercials Wisler has directed. "It's more in the style of what I do anyway, thought it did present challenges of it's own. You don't have characters with an in depth back story and definitive character arch, so it tough some time between takes to come up with good, playable direction to give the actors. It really gave me a lot to think about. It's good practice for thinking on your feet as a director."
Wisler and actress on the set of the Quick Auto commercials.
Wisler brought to the Quick Auto shoot his own dolly, feeling that the fluid movement of the right shots would raise the production value and look of this local commercial. Once the editing, effects, and sound work are completed, the spots will air around the Northern Indiana area on several television stations. Overdun Production has produced all of the recent Quick Auto commercials, and does all of the animated graphics for them as well.
Wisler and Kyle Bainter on the set of the Quick Auto commercials.
Overdun Productions also provided the camera (Panasonic's AG-HVX200) and most of the lighting. One HMI (light) and a microphone were rented. The spots were all shot in HD 720p, in 24p frame rate. Kyle Bainter is doing the editing and effects work as well as the logo animation at the end of each spot.
Friday, August 31, 2007
"177" Hits the Web
Runaway Pen will be releasing the pilot episode of "177" tonight. It will be made available on this website, Veoh, YouTube, and MySpace. The first episode runs just over five minutes, and features the music of Nathan Edwin. Producers Andrew Gilbert and Mikel J. Wisler are not sure yet when the next episode will be released.
"We hope it gets a good reactions," says Wisler. "We didn't start out making a four episode serial, but here we are. We've still got some work to do on the remaining three episodes. But it sure feels good to be ready to release the pilot."
The pilot should become available on the web around 10 PM EST.
Runaway Pen will be releasing the pilot episode of "177" tonight. It will be made available on this website, Veoh, YouTube, and MySpace. The first episode runs just over five minutes, and features the music of Nathan Edwin. Producers Andrew Gilbert and Mikel J. Wisler are not sure yet when the next episode will be released.
"We hope it gets a good reactions," says Wisler. "We didn't start out making a four episode serial, but here we are. We've still got some work to do on the remaining three episodes. But it sure feels good to be ready to release the pilot."
The pilot should become available on the web around 10 PM EST.
July 25, 2007
Making “Cellar Door” Article Published Today on IndieFilmer.com
“Cellar Door” director, Mikel J. Wisler, recently wrote an article about the technical process of making the short film, which IndieFilmer.com expressed interest in publishing. Today, that article hit the web. “I wanted to write something that reflected what we learned, and be honest about some of the mistakes we made, and where we developed as filmmakers,” says Wisler. “I hope the article is helpful to any other aspiring filmmakers out there in the same boat we’re in—namely, having no money. But I also hope non-filmmakers can get a glimpse of some of the creative thinking that has to go into making a film like ‘Cellar’ for next to nothing.”
Click here to read the article.
“177” Slated for Release as Internet Serial
This week, “177” producers Andrew Gilbert and Mikel J. Wisler met and talked about the future of the slowly developing short film project. After some speculation on what the best course of action for the short film’s release format, the two agreed that a direct to Internet release of “177” in an episodic format would be best.
“We wanted to try something new,” Wisler explains. “We’ve got this idea for another Internet Serial that we want to produce. So, we figured we would test the waters. Besides, ‘177’ breaks into five-minute episodes quite well. It should be really fun. The fact that it’s a comedy also plays well into its ability to be segmented.”
The plan is to release “177” later this year. The series will consist of four episodes, roughly five-minutes in length, with each episode hitting the web one month at a time. The produces have yet to determine if the release will be on multiple venues (such as YouTube, Veoh, and Metacafe) or if they will keep the serial confined to one site.
Click here to see a preview to 177.
“Cellar Door” director, Mikel J. Wisler, recently wrote an article about the technical process of making the short film, which IndieFilmer.com expressed interest in publishing. Today, that article hit the web. “I wanted to write something that reflected what we learned, and be honest about some of the mistakes we made, and where we developed as filmmakers,” says Wisler. “I hope the article is helpful to any other aspiring filmmakers out there in the same boat we’re in—namely, having no money. But I also hope non-filmmakers can get a glimpse of some of the creative thinking that has to go into making a film like ‘Cellar’ for next to nothing.”
Click here to read the article.
“177” Slated for Release as Internet Serial
This week, “177” producers Andrew Gilbert and Mikel J. Wisler met and talked about the future of the slowly developing short film project. After some speculation on what the best course of action for the short film’s release format, the two agreed that a direct to Internet release of “177” in an episodic format would be best.
“We wanted to try something new,” Wisler explains. “We’ve got this idea for another Internet Serial that we want to produce. So, we figured we would test the waters. Besides, ‘177’ breaks into five-minute episodes quite well. It should be really fun. The fact that it’s a comedy also plays well into its ability to be segmented.”
The plan is to release “177” later this year. The series will consist of four episodes, roughly five-minutes in length, with each episode hitting the web one month at a time. The produces have yet to determine if the release will be on multiple venues (such as YouTube, Veoh, and Metacafe) or if they will keep the serial confined to one site.
Click here to see a preview to 177.
July 2, 2007
Wisler Lined-Up to Work on Another Feature This Year.
Late last week, Mikel J. Wisler spoke on the phone with producer Chad Gundersen. Wisler worked for Gundersen on the set of Midnight Clear (which Gundersen produced) back in May of 2006. The two have kept in contact since then and a few weeks age, Gundersen contacted Wisler about working on a feature he is producing for TBN, a film called, The Secrets of Johnathan Terry, which is being directed by Rich Christiano.
Wisler will be shooting the behind-the-scenes footage of the film, as well as taking all the production photos. This will be the third feature film Wisler has worked on to date, his second this year. He will be on set for the six weeks of production in up-state New York once production starts on August 11. Aside from discussing the work Wisler will be doing for Gundersen on this film, Wisler has been able to attain quite a bit of guidance from Gundersen as the distribution deal for “Cellar Door” continues to take shape.
Late last week, Mikel J. Wisler spoke on the phone with producer Chad Gundersen. Wisler worked for Gundersen on the set of Midnight Clear (which Gundersen produced) back in May of 2006. The two have kept in contact since then and a few weeks age, Gundersen contacted Wisler about working on a feature he is producing for TBN, a film called, The Secrets of Johnathan Terry, which is being directed by Rich Christiano.
Wisler will be shooting the behind-the-scenes footage of the film, as well as taking all the production photos. This will be the third feature film Wisler has worked on to date, his second this year. He will be on set for the six weeks of production in up-state New York once production starts on August 11. Aside from discussing the work Wisler will be doing for Gundersen on this film, Wisler has been able to attain quite a bit of guidance from Gundersen as the distribution deal for “Cellar Door” continues to take shape.
Thursday, June 21, 2007
Runaway Pen Poised to Distribute “Cellar Door”
In the past week, Mikel J. Wisler (co-writer, producer, and director of “Cellar Door”) was contacted by Canadian based Ouat Media (pronounced “what”) after one of the executives from the short film and media distribution company spotted the preview for “Cellar Door” on the Internet. Wisler, who has been pretty quiet so far about the developments of a potential contract allowing Ouat to distribute the short film world wide, today was notified by Kam Jeyarajasingam of Ouat Media that they have watched the DVD Wisler sent him and that the company is definitely interested in distributing “Cellar Door.”
“I really liked your film; very compelling and very good production value. Definitely a huge under-taking, but it looks like it paid off in terms of the quality of the film you produced. And you made our cut-off by three minutes,” wrote Jeyarajasingam to Wisler.
“If the movie was any longer, we’d be in trouble,” says Wisler. “I’m still in a sort of daze. I’m trying to figure out what the next step in the process is. Andy [Gilbert], Danae [Wisler], and I have to carefully read over the sample contract they sent us. Nothing is set in stone right now. But at the very least, it’s exciting to even be talking about a distribution deal. I honestly didn’t think I’d ever make a short that could be picked up anywhere. But now, it’s like: ‘wow, this is happening?’”
Ouat Media would seek to sell the film in the global market for broadcast, Internet, and possibly even download to mobile devices. For more information on Ouat Media, visit: ouatmedia.com.
In the past week, Mikel J. Wisler (co-writer, producer, and director of “Cellar Door”) was contacted by Canadian based Ouat Media (pronounced “what”) after one of the executives from the short film and media distribution company spotted the preview for “Cellar Door” on the Internet. Wisler, who has been pretty quiet so far about the developments of a potential contract allowing Ouat to distribute the short film world wide, today was notified by Kam Jeyarajasingam of Ouat Media that they have watched the DVD Wisler sent him and that the company is definitely interested in distributing “Cellar Door.”
“I really liked your film; very compelling and very good production value. Definitely a huge under-taking, but it looks like it paid off in terms of the quality of the film you produced. And you made our cut-off by three minutes,” wrote Jeyarajasingam to Wisler.
Mikel J. Wisler (left), Andrew Gilbert (right), on the set of "Cellar Door"
“If the movie was any longer, we’d be in trouble,” says Wisler. “I’m still in a sort of daze. I’m trying to figure out what the next step in the process is. Andy [Gilbert], Danae [Wisler], and I have to carefully read over the sample contract they sent us. Nothing is set in stone right now. But at the very least, it’s exciting to even be talking about a distribution deal. I honestly didn’t think I’d ever make a short that could be picked up anywhere. But now, it’s like: ‘wow, this is happening?’”
Ouat Media would seek to sell the film in the global market for broadcast, Internet, and possibly even download to mobile devices. For more information on Ouat Media, visit: ouatmedia.com.
Sunday, June 10, 2007
Runaway Pen Filmmaker as Cinematographer
This weekend, Mikel J. Wisler continued work as cinematographer for Flexagon Film’s “The King of Pop.” The project, written, produced, and directed by Brenan Campbell (Assistant Director/Sound for "Cellar Door"), is the pilot episode for an Internet series Campbell plans on pitching to Channel 101, the growing independent filmmaking and entertainment web destination. Wisler, who is one of the executive producers of “The King of Pop,” hopes to see the project picked up and be able to work on future episodes with Campbell.
Brenan Campbell (dir.) and Mikel J. Wisler (DP) prepare a shot on the set of "The King of Pop."
The small crew shot part of the pilot last weekend. Yesterday (Saturday), they spent the whole day shooting in South Bend, Indiana. With only one scene left to shoot, the crew should be wrapping production tonight in South Bend. “Post has already started on this one,” says Wisler. “I know Brenan’s down to the wire as far as the deadline for submissions to Channel 101. But it’s going to come together fast. It’s a hilarious project, and I hope it gets picked up. I’m glad I’ve been able to be a part of this, and get in there and light some very moody and dark scenes in such a great mix of atmosphere and humor.”
The deadline for new pilots for Channel 101 is June 19. Visit www.channel101.com for more information.
Campbell, Wisler, and Matthew Eaton (AC/cast member).
This weekend, Mikel J. Wisler continued work as cinematographer for Flexagon Film’s “The King of Pop.” The project, written, produced, and directed by Brenan Campbell (Assistant Director/Sound for "Cellar Door"), is the pilot episode for an Internet series Campbell plans on pitching to Channel 101, the growing independent filmmaking and entertainment web destination. Wisler, who is one of the executive producers of “The King of Pop,” hopes to see the project picked up and be able to work on future episodes with Campbell.
Brenan Campbell (dir.) and Mikel J. Wisler (DP) prepare a shot on the set of "The King of Pop."
The small crew shot part of the pilot last weekend. Yesterday (Saturday), they spent the whole day shooting in South Bend, Indiana. With only one scene left to shoot, the crew should be wrapping production tonight in South Bend. “Post has already started on this one,” says Wisler. “I know Brenan’s down to the wire as far as the deadline for submissions to Channel 101. But it’s going to come together fast. It’s a hilarious project, and I hope it gets picked up. I’m glad I’ve been able to be a part of this, and get in there and light some very moody and dark scenes in such a great mix of atmosphere and humor.”
The deadline for new pilots for Channel 101 is June 19. Visit www.channel101.com for more information.
Campbell, Wisler, and Matthew Eaton (AC/cast member).
Wednesday, May 16, 2007
Silk Trees
This past weekend, the six-week production for Silk Trees wrapped. Mikel J. Wisler served as the 1st Assistant Director for the film. “It was an amazing experience,” says Wisler. “Evermore Pictures have a lot going for them. These are quality people to work with.”
The Evermore crew will be entering postproduction in the next week. Aside from being the 1st AD, Wisler also provided some lighting equipment and camera crane to the production.
You can see a demo reel of the footage shot for Silk Trees by clicking: http://davidcarstens.com/silk_trees.mov
Or visit: http://www.silktreesmovie.blogspot.com/
This past weekend, the six-week production for Silk Trees wrapped. Mikel J. Wisler served as the 1st Assistant Director for the film. “It was an amazing experience,” says Wisler. “Evermore Pictures have a lot going for them. These are quality people to work with.”
The Evermore crew will be entering postproduction in the next week. Aside from being the 1st AD, Wisler also provided some lighting equipment and camera crane to the production.
You can see a demo reel of the footage shot for Silk Trees by clicking: http://davidcarstens.com/silk_trees.mov
Or visit: http://www.silktreesmovie.blogspot.com/
March 30, 2007
Cellar Door
This past weekend, Andrew Gilbert was in Los Angeles for a screenwriting conference. While there, he had the opportunity to visit with a friend, Brendan Higgins, both he and Mikel J. Wisler met at the Los Angeles Film Studies Center. Higgins is the associate producer and co-writer for a feature currently being developed with Dimension Films. He has a chance to watch “Cellar Door” and comment on it. According to Gilbert, Higgins was quite impressed with the level of professional quality in “Cellar.” He commented on different aspects of the film, but stressing that he only picked on such details because he looked at the film and judged it as he would any professional film he might watch in his line of work.
“That is the most flattering thing I think anyone could say about the film,” says Wisler. “Brendan and I worked on school film projects back in the day. He’s out there now working in the industry, and he’s got a great grasp of filmmaking. To have a professional working in Hollywood right now watch ‘Cellar Door’ and say they judged it as harshly as they would any professional, multi-million dollar production is amazing. I’m honored. Besides, he picked on little things, things I’d pick on too. This isn’t a perfect film, but I hope it’s good.”
Runway Pen has been ramping things up in anticipation of Sunday’s special presentation of “Cellar” in South Bend. That special screening will take place at the College Football Hall of Fame at 6:30 on Sunday evening. The cost is $4.00 at the door, cash only. The money will help Runaway Pen submit “Cellar Door” to film festivals. It is currently waiting to hear back from six festivals all over the country.
“I’m looking forward to Sunday night,” says Wisler. “But I’m also really nervous. Anytime you have to step out and present this thing you’ve been working so hard on—this baby of yours—it’s really nerve-wracking. Maybe that’s because as I watch the film I could write a book right now on all the things I would like to do better next time. But it should be a very fun evening. I’m glad we can do a local screening. But, I hope I can sleep that night. I have get up the next day quite early and start my job as the 1st AD [Assistant Director] for Silk Trees, Jed Burdick’s feature film. I’m looking forward to that too.”
This past weekend, Andrew Gilbert was in Los Angeles for a screenwriting conference. While there, he had the opportunity to visit with a friend, Brendan Higgins, both he and Mikel J. Wisler met at the Los Angeles Film Studies Center. Higgins is the associate producer and co-writer for a feature currently being developed with Dimension Films. He has a chance to watch “Cellar Door” and comment on it. According to Gilbert, Higgins was quite impressed with the level of professional quality in “Cellar.” He commented on different aspects of the film, but stressing that he only picked on such details because he looked at the film and judged it as he would any professional film he might watch in his line of work.
“That is the most flattering thing I think anyone could say about the film,” says Wisler. “Brendan and I worked on school film projects back in the day. He’s out there now working in the industry, and he’s got a great grasp of filmmaking. To have a professional working in Hollywood right now watch ‘Cellar Door’ and say they judged it as harshly as they would any professional, multi-million dollar production is amazing. I’m honored. Besides, he picked on little things, things I’d pick on too. This isn’t a perfect film, but I hope it’s good.”
Runway Pen has been ramping things up in anticipation of Sunday’s special presentation of “Cellar” in South Bend. That special screening will take place at the College Football Hall of Fame at 6:30 on Sunday evening. The cost is $4.00 at the door, cash only. The money will help Runaway Pen submit “Cellar Door” to film festivals. It is currently waiting to hear back from six festivals all over the country.
“I’m looking forward to Sunday night,” says Wisler. “But I’m also really nervous. Anytime you have to step out and present this thing you’ve been working so hard on—this baby of yours—it’s really nerve-wracking. Maybe that’s because as I watch the film I could write a book right now on all the things I would like to do better next time. But it should be a very fun evening. I’m glad we can do a local screening. But, I hope I can sleep that night. I have get up the next day quite early and start my job as the 1st AD [Assistant Director] for Silk Trees, Jed Burdick’s feature film. I’m looking forward to that too.”
March 26, 2007
Local Commercials
Recently, Mikel J. Wisler was hired by Overdun Productions (Elkhart, IN) to function as an on-set producer/crew member for a local shoot for two commercials. The spots are for Goshen's Transmission Clinic, and will be aired on Northern Indiana television stations. However, you can click on the links bellow at watch the spots right now on YouTube. Kyle Bainter, from Overdun Productions, was the other producer and did the shooting and editing.
Watch the spots:
http://www.youtube.com/watch?v=bJea757jHBs
http://www.youtube.com/watch?v=w2E3z0BL1zg
For more information on Overdun Productions, please visit: http://overdun.com/
Recently, Mikel J. Wisler was hired by Overdun Productions (Elkhart, IN) to function as an on-set producer/crew member for a local shoot for two commercials. The spots are for Goshen's Transmission Clinic, and will be aired on Northern Indiana television stations. However, you can click on the links bellow at watch the spots right now on YouTube. Kyle Bainter, from Overdun Productions, was the other producer and did the shooting and editing.
Watch the spots:
http://www.youtube.com/watch?v=bJea757jHBs
http://www.youtube.com/watch?v=w2E3z0BL1zg
For more information on Overdun Productions, please visit: http://overdun.com/
March 19th, 2007
Cellar Door:
Runaway Pen Productions will be having a special screening of “Cellar Door” at the College Football Hall of Fame (in the Stadium Theater) on April 1, 2007 at 6:30 PM. Cost will be $4.00 at the door. The evening will include the showing of the short film “Cellar Door” (37 min), “Making ‘Cellar Door’” (25 min), and a Q&A session with the filmmakers.
College Football Hall of Fame:
111 South St. Joseph Street / South Bend, IN 46601
For more information, call 574.527.2182
Many of the people involved in making "Cellar Door" gathered last night for their first peek at the final cut of the film. Everyone seems to have had a good time and the response has been overwhelmingly supportive, with a virtually unanimous agreement that this "Cellar Door" is the finest short film the Runaway Pen crew has made to date.
Later this evening, director Mikel J. Wisler will be releasing a brand new preview on YouTube in anticipation of the special showing of "Cellar Door" in less than two weeks.
Runaway Pen Productions will be having a special screening of “Cellar Door” at the College Football Hall of Fame (in the Stadium Theater) on April 1, 2007 at 6:30 PM. Cost will be $4.00 at the door. The evening will include the showing of the short film “Cellar Door” (37 min), “Making ‘Cellar Door’” (25 min), and a Q&A session with the filmmakers.
College Football Hall of Fame:
111 South St. Joseph Street / South Bend, IN 46601
For more information, call 574.527.2182
Many of the people involved in making "Cellar Door" gathered last night for their first peek at the final cut of the film. Everyone seems to have had a good time and the response has been overwhelmingly supportive, with a virtually unanimous agreement that this "Cellar Door" is the finest short film the Runaway Pen crew has made to date.
Later this evening, director Mikel J. Wisler will be releasing a brand new preview on YouTube in anticipation of the special showing of "Cellar Door" in less than two weeks.
